What I'm reading nowCyndi L
Jewelry, Piercing and Fashion industry news. Articles and stories about gold, silver and titanium body jewelry such us watches, rings, diamond jewelry, bracelets and many other.

By Raquel Franco
When the Balenciaga Motorcycle bag first appeared upon the arms of celebrities like Nicky Hilton and Sarah Jessica Parker, they were an instant success. Stores were selling out of them and were unable to keep up with the supply and demand. Not only were Americans lusting after them but fashionistas in Taiwan and Switzerland were also craving a taste of designer Nicolas Ghesquiere. The waiting list for the sleek and sexy bag began growing larger than the Louis bag that is now "so five minutes ago."
Now time has passed and everybody wants one and every celebrity has one. Celebrities even have multiple bags in numerous sizes and colors. I am sure that you are getting to the point where you must be wondering is too late to get one. Will I just be another wannabe jumping on the bandwagon? Absolutely not! Celebs are still carrying their beloved bags wherever they go. A good way to know if a trend has taken on a life of its own is when everyone and their mother are carrying one. Now is the perfect time to be seen sporting this delicious arm candy. The bag is still yet to be made common among the average woman. Owning a bag like this will make you the first to stand out. So if you are having second thoughts, don't hesitate to give in to your desires.
You can fulfill your craving at Le Fashionista. We now carry four Balenciaga style bags in two sizes for a mere fraction that it costs to buy the real bag.
Shown above are recent pictures of many celebs who own the infamous bag and none of your friends that don't.
Picture source: http://lime-light.org
Picture Caption:
1. Diva Collection Motorcycle Bags
2. Nicole Richie on March 23rd
3. Amerie on April 25th
There were more than 160 vendors at the show with just about anything a beader could desire. I spent the weekend demonstrating projects and techniques from Hip to Bead, signing books and shopping! It was fun to meet readers and beaders. I also enjoyed seeing The Beaded Figure exhibit in person. These beaded sculptures are just amazing. Check out the The Beaded Figure gallery at www.beadworkmagazine.com to see them for yourself.
The first bracelet was inspired once again by the marvelous lampwork beads by James Derrick Reeves and reminds me of something a friend once said,"Artists can get away with anything."
Maybe not as daring as green and purple together, but I was in a mood, and I'd just gotten these luscious faceted citrine nuggets (very nice), and decided to mix them with some light aqua chalcedony I had as well as the lampwork beads. The sterling silver accents are from the Thai Karen Hill Tribes.
For the more conventional, a rainbow moonstone bracelet with lampwork beads in a light periwinkle blue. The lampwork is by Burt Gumeson. There are also chalcedony nuggets and faceted rondelles as well as some tiny little cabochon rainbow moonstone charms.
About the feet: I will really be wearing my practical shoes, but I wanted my sister to be able to see the slippers that I bought with part of the gift card she gave me for my birthday.The blazer is brown (multi) velvet paisley!
I'll start with carnelian, and the wonderful faceted orangey carnelian nuggets that I mixed with a carved flower of carnelian, lampwork beads, sterling silver and a bit of turquoise. The second strand has little charms hanging at intervals from the second strand.
I also got some great tourmaline faceted nuggets and decided to use those with these boro lampwork beads and vermeil. The chain is 14 karat goldfilled, and the other gold accents are vermeil (24 karat gold over sterling silver).
I really love sunstone, and peach is just about my favorite colour, so of course, I'm always trying to get my hands on good sunstone. This bracelet has 3 strands (one is a sterling silver chain). The wonderful lampwork beads are by Irene Collier.
I've been working on many different things this week, but I am still entranced with the Babylon Collection and have been making drawings that I may experiment with later this week. The basis for this collection is my love of lapis lazuli - especially when it is paired with gold. The lapis lazuli one sees on the ancient art in Egypt (beards are often rendered in lapis in sculpture) mixed with gold is opulent, the way you imagine rich gold and gemstones when you're a child. The museum in Cairo is like being lost in a fairy tale. One gets the same feeling at the University of Pennsylvania's small museum when viewing the Middle Eastern art with its lavish gold and lapis from Mesopotamia.
I'm not sure anymore how I feel about textures. I would wear this out to a casual evening but not stretch velveteen in the daytime. Not any more, anyway. I've just gotten rid of all of my flannel suit jackets, skirts, trousers. I realized I never wanted to wear them because I like smooth fabrics. I like fabrics with substance and crispness, too. This goes against the whole "there should be movement in your clothing" philosophy.
I get a lot out of reading your thinking about clothes and life. I'd love it if you'd write more about texture. Even though I'm rounded, I have a crisp personality and feel awkward in soft, draped clothes - like I'm selling a bill of goods.
I'll start with carnelian, and the wonderful faceted orangey carnelian nuggets that I mixed with a carved flower of carnelian, lampwork beads, sterling silver and a bit of turquoise. The second strand has little charms hanging at intervals from the second strand.
I also got some great tourmaline faceted nuggets and decided to use those with these boro lampwork beads and vermeil. The chain is 14 karat goldfilled, and the other gold accents are vermeil (24 karat gold over sterling silver).
I really love sunstone, and peach is just about my favorite colour, so of course, I'm always trying to get my hands on good sunstone. This bracelet has 3 strands (one is a sterling silver chain). The wonderful lampwork beads are by Irene Collier.
I've been working on many different things this week, but I am still entranced with the Babylon Collection and have been making drawings that I may experiment with later this week. The basis for this collection is my love of lapis lazuli - especially when it is paired with gold. The lapis lazuli one sees on the ancient art in Egypt (beards are often rendered in lapis in sculpture) mixed with gold is opulent, the way you imagine rich gold and gemstones when you're a child. The museum in Cairo is like being lost in a fairy tale. One gets the same feeling at the University of Pennsylvania's small museum when viewing the Middle Eastern art with its lavish gold and lapis from Mesopotamia.
